The one thing I did really grasp from the lecture was the frame story of 'One Thousand and One Nights' and the meaning of the title. Prior to Thursday's class, I watched the beginning of a comedic movie titled 'A Thousand and One Nights' and the opening credits led me to believe that the frame story was that a women pushed off her execution for 1001 nights by telling a different story every night, and that was it. It led me to believe nothing of love or happiness. It led me to believe that on the 1,002 night, the girl was executed because she ran out of stories, but Professor Zaru taught our class different. Basically, the it is titled in the way it is because a girl pushed off her execution for an infinite amount of nights and led the King to eventually find love in her and stop his violent acts of sexism.
(YouTube Video I Previously Mentioned)
From this, she reminded me of the effects of Hollywood and the idea that not everything can be trusted and/or assumed.
The other aspect of her lecture that I greatly enjoyed was the intrigue left in one's mind by the mystical magic carpet. I know the magic carpet from Disney's Aladdin but I realized it is much deeper than that. The idea of it is magical and I wish I had a magic carpet! It has so much meaning and depth and personality to it making what seems to be a basic carpet a personified, magical object.
This cartoon I found funny as it combined the mystical quality of the magic carpet with the present issues of our time, such as forms of transportation, especially with multiple children in the household. From the lecture, Professor Zaru made clear to me that Arabic storytellers are sometimes creating current versions but, generally, the original stories passed down from as long as one can track down, old Arabic stories are culturally strong and these new stories, although entertaining and spark interest, it is the original tales that create the true bond among Arabic Nations.